Fringe

DESIGNINART UPCOMING EVENTS

> Roger Ibars
June 8th
at HDK
kl.16:00-18:00

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DESIGNINART
Art and design have long had a close and contested relationship. Critical issues - intention and function, audience and interaction, method and artifact - are shared and between the disciplines. Today, the incorporation of new interactive and time-based technologies into processes and practices have again challenged and blurred the borders between traditional notions of art and design. Shifts in the cultural and institutional context have also altered perspectives - these days galleries and museums seem to be filled with 'design' exhibitions.

More recently, the emergence of critical design (with much of its roots in conceptual art), new media art, experimental and interaction design suggests to some extent an increased exchange or reversal of roles between the artist and the designer. In these forms of practice, designers are focusing less on solving the problems at hand and more on artifacts and methods for speculation and critique. Various artists, in turn, are focusing on conceptual art practice to work with systems or patterns as 'solutions' in particular situations. Inspirations, methods, and roles are blurred in an emerging territory of creative and interdisciplinary practice, requiring that we re-examine basic notions and foundations.

Perhaps we are exploring new notions of material and immaterial artifacts...
Perhaps we are in a discovery phase with new technologies and techniques...
Perhaps we are at a turning point in societal and cultural aspiration...

DESIGNINART is a series of events exploring these notions in concept and practice arranged by [fringe], a new media and electronic art and design collective initiated by the RE:FORM studio of the Interactive Institute.

Taking the frame of Sweden’s 2005 Year of Design, DESIGNINART aims to surface and experiment with traditional notions – raising new examples, voices and participation in culture of creative practices.

We invite participation from designers, artists, architects, musicians, sociologists, theoreticians, educators and students of art and design, with a special focus on new media and electronic art alongside interaction and critical design.

Themes or questions
·borrowing and cross-fertilizing methods and techniques
·defining ‘quality’ in art and design
·design beyond utility
·new genres and modalities
·art of systems or patterns solutions
·high design & free art
·function and intent
·technological impact and inspiration
·new skills and traditional experience

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for more information contact margot.jacobs@tii.se
www.tii.se/reform
www.tii.se/reform/projects/pps/fringe.htm

DESIGNINART 7.0

[ fringe ]
invites
YOU

to the
DESIGNINART lecture series

with
Roger Ibars

at
Hogskolan for Design och Konsthantverk (HDK)
Kristinelundsgatan 6-8
Wednesday, June 8th
kl.16-17

WELCOME!

]]>

ROGER IBARS
Roger Ibars' background is in sociology, industrial design and interaction design . He has worked in international research institutions such as Medialab Europe in Dublin and the Interaction Design Research at the Royal College of Art in London or the Swiss University of Design ECAL. Roger's design research investigates how we understand technologies and how technologies understand us. His work is eclectic, from illustration, product design and electronic installations to user-research and innovation tools designer. He will exhibit his work this coming summer in the Pompidou Centre in Paris. Roger Ibars was born in Barcelona and lives in London.

LINKS:
social robots
interaction design at rca
dna theft

for more information about DESIGNINART
mail: margot.jacobs@tii.se

or visit
www.tii.se/reform
www.tii.se/reform/projects/pps/fringe.htm

DESIGNINART 6.0

[ fringe ]
invites
YOU

to
DESIGNINART

with
Robert Olzon / Research and Development / www.researchanddevelopment.se
Heiko Hansen / HEHE / www.hehe.org

at
BIG LOVE
Thursday, May 19th
kl.16-18

WELCOME!

]]> Research and Development
www.researchanddevelopment.se

Research and Development is Robert Olzon (1976), Daniel Olsson (1974) and Jonas Topooco (1972). All graduaded from the MA-course in Graphic Design at Konstfack University College of Arts, Crafts and Design 2002. Research and Development work mainly with graphic design, product design and exhibitions for clients such as Moderna Museet, Liljevalchs Konsthall, The Swedish Trade Council, SVT and Memfis Film. They have exhibited at exhibitions like Konceptdesign, Nationalmuseum, Stockholm; Nr alt er design, Riksutstillinger, Norway; Tokyo Designers Block, Tokyo; Invisible Wealth, Frgfabriken, Stockholm; SAM, Forum for Contemporary Culture, Kulturhuset, Stockholm; and Modern Talking, Stockholm. They have lectured at most of the art and design schools in Sweden. 2003-2004 they worked with the research project Use and Misuse for Konstfack, University College of Arts, Crafts and Design.

HEHE
www.hehe.org

HEHE was founded in 1999 by Helen Evans (United Kingdom, 1972) & Heiko Hansen (Germany 1970) as a platform for art, design and research practice investigating ways to fuse electronic media with the physical environment.

HeHe most recently collaborated with the In Situ research group, a joint project between Laboratoire de Recherche en Informatique (Paris-Sud University) and INRIA Futurs (Institut National de Recherche en Informatique et en Automatique). Since 2002 HeHe has been based at the prodigious artist factory Mainsdoeuvres, a multidisciplinary space for cultural projects based in St-Ouen (Northern Paris). In 2003 HeHe officially registered as a non-profit Association under French law.

for more information about DESIGNINART
mail: margot.jacobs@tii.se

or visit
www.tii.se/reform
www.tii.se/reform/projects/pps/fringe.htm

DORKBOT in STOCKHOLM

Dorkbot#2 (www.dorkbot.org)

May 19, 2005 at 19.00
CRAC, Asogatan 176
After the success of dorkbot#1 we have put together a sparkling program
for the sequel!

]]> We proudly present:

Leo Parden Brimberg and Roberto N Peyre:
The artist Roberto N-Peyre and sound engineer/musician Leo Parden Brimberg will present and dicuss their collaboration "Projekt O" at Dorkbot-sthlm the 19th of May."Projekt O" is an installation work in progress. The work is based on the sculptural idea of sound/air, heat/light rhytmically carrying smoke (material) through a hole, thus creating visible enlightened thermodynamic flows in a dark room. The construct works much like and is inspired by a vulcano or an oceanic vent. The work bridges stage magic, parapsychological phenomena, alchemical processes and modern sound technology.

Sachiko Hayashi:
Sachiko Hayashi is a new media artist, working primarily with net art and video. Her works consistently aim to integrate use of digital technology and aesthetic/conceptual/social discourses. Born and raised in Tokyo and currently resident in Sweden, Hayashi's works have been shown at various International new media art festivals. For a Dorkbot-sthlm meeting she will be talking about her net art Trapped and her latest video "boop-oop-a-doop," which are considered to be representative of her works.

Trapped (net art, www.e-garde.net/trapped, shockwave) takes us through a journey into the human psyche where we are confronted with our own responses to its enigma. "boop-oop-a-doop"(video) investigates into her own observation over the creation of identity in our highly developed media society. "boop-oop-a-doop" was created by using such historical video synthesizers as Paik/Abe wobulator and Jone's Colorizer at the Experimental Television Center in New York.

The arrangement is free and everybody is more than welcome!
We're looking forward to see you!

Performance Studies International #12 calls for proposals and ideas

CALL FOR PROPOSALS AND IDEAS.......
PERFORMANCE STUDIES INTERNATIONAL #12
Queen Mary, University of London, in collaboration with
East End Collaborations and the Live Art Development Agency (UK). 15-18 JUNE 2006PSi #12: PERFORMING RIGHTS
What can performance do for human rights, and human rights for performance?www.psi12.qmul.ac.uk
PSi #12: Performing Rights will be a gathering of artists, activists and academics who are making and researching performance that declares its interest and intent within the field of Human Rights. PSi #12 is being approached as a festival of creative dialogues investigating the boundaries and relationships between Human Rights and performance and will present an integrated schedule of conference and contextualising events.

]]> Queen Mary, University of London, East End Collaborations and the Live Art Development Agency are seeking proposals for all aspects of PSi #12: Performing Rights.
Contextualising Events
PSi #12: Performing Rights will attempt to create a context for exploring the role of performance and the responsibilities of artists in effecting political, social and cultural change through a series of contextualising events including performances, interventions, new media presentations, installations, screenings, displays, artists led laboratories, spontaneous interactions and a library of research and resource materials.

PSi #12 Performing Rights are inviting proposals and recommendations from artists, activists, curators and commentators about performances, new media projects, publications, videos, websites, events, networks, organisations that are concerned with issues of Human Rights for all aspects of the contextualising programme. Proposals are welcome at any time from May 2005.

For more detailed information about the Call for Proposals for PSi #12: Performing Rights Contextualising Events:
email psi12@qmul.ac.uk or info@thisisLiveArt.co.uk
or visit
www.psi12.qmul.ac.uk or www.thisisLiveArt.co.uk
The Conference The PSi #12 conference will comprise plenary sessions, curated panels, papers and presentations, in which contributors will engage with the political, aesthetic and philosophical dimensions of the relationship between performance and human rights, on topics ranging from public and collective acts of insurrection to the intimacies and fragility of individual freedom and subjectivity.

PSi #12: Performing Rights are seeking paper, presentation and panel proposals for the conference. All submissions are due by 12 September 2005.

For more detailed information about the Call for Proposals for PSi #12: Performing Rights Conference:
email psi12@qmul.ac.uk
or visit
www.psi12.qmul.ac.uk

PSi #12: Performing Rights organisations:
Queen Mary, University of London, is a campus university in London's East End, only twenty minutes by tube from the city centre. Arts and Humanities research at Queen Mary is regarded as some of the very best in the UK. Drama at Queen Mary has a particular emphasis on live art, contemporary performance and theatre for social change. www.qmw.ac.uk

The Live Art Development Agency is the leading development organisation for Live Art in the UK and works in partnership with practitioners, venues and institutions on artist and programme initiatives; develops strategies for increasing popular and critical awareness; provides practical information and advice; and offers opportunities for dialogue, debate, research and training. www.thisisLiveArt.co.uk

East End Collaborations (EEC) responds to the professional development needs of graduates and emerging artists working with Live Art and based in London by offering information, advice and expertise and the opportunity to showcase work in an annual open submissions platform. East End Collaborations is collaboration between Queen between Queen Mary, University of London and the Live Art Development Agency.

Performance Studies International (PSi) is an international organisation founded in 1997 to promote communication and exchange among scholars and practitioners working in the field of performance. www.psi-web.org/
Live Art Development Agency
Rochelle School
Arnold Circus
London E2 7ES
United Kingdom
t: +44 (0)20 7033 0275
f: +44 (0)20 7033 0276
lois@thisisLiveArt.co.uk
daniel@thisisLiveArt.co.uk
hannah@thisisLiveArt.co.uk
info@thisisLiveArt.co.uk
www.thisisLiveArt.co.uk

VIPER INTERNATIONAL COMPETITION 2005

VIPER INTERNATIONAL FESTIVAL FOR FILM VIDEO AND NEW MEDIA
17 - 21 NOVEMBER 2005
-------------------------------------------------

PLEASE NOTE
Deadline: May 31, 2005 (date of the official postal stamp)
Due to the large amount of submissions the deadline will not be extended.
[Works and projects that are not ready by the closing date for entries can
be entered in the form of indicative documentation material or as a concept
description]
Awards: CHF 10.000 in each category & Swiss Award (CHF 10.000)
Acceptance decision: July 2005
Master Setting due: October 1, 2005
Festival dates: November 17 - 21, 2005

SUBMISSION GUIDELINES
Entry is free of charge.
Regulations, registration form, and further information:
http://competition2005.viper.ch/
Participants are asked to:
1_fill out the online-registration
2_send a signed print-out of the online registration form along with the
entry material.

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VIPER is one of the major European film, video and new media festivals. It
offers a highly-regarded platform for presenting innovative works and
projects attracting Swiss and international filmmakers and producers,
artists, curators, critics and purveyors of ideas from the media, research
and politics. In addition VIPER's International Forum provides an up-to-date
podium for presenting and discussing forward-looking positions, models and
scenarios - a Think-and-Do-Tank for 21st century media, culture and society.

-------------------------------------------------
VIPER INTERNATIONAL COMPETITION 2005
The Call for the renowned VIPER International Competition has been launched
with revised categories since 2003, considering the entire spectrum of
expression forms of the digital formats. At the same time a unique forum for
more and more extensive cross-media and innovative projects has been
established going beyond established generic boundaries.

A renowned international jury selects from the submissions the winners of
the awards in each category. Irrespective of the category the best Swiss
work will receive the SWISS AWARD.
Selected works and projects will be presented during the festival.

---------------
CATEGORIES
----------------

IMAGINATION
is open to works and projects dealing with traditional and future forms of
the moving image.

Possible submissions include analogue and digital films/videos, experimental
films (including sound/video), 2D and 3D animations, extended forms of
traditional cinema, linear and non-linear narrative image sequences, mobile
and innovative screen formats, split- and/or multiple-screen arrangements.
They may be complemented by modes of individual and collective interaction
if wished.

PROCESSING
is open to works and projects that are characterised by processes and live
elements.

Installations or systems can be submitted that are devised to involve a
local situation and/or an audience actively, thus emphasising the ability to
interact and improvise when handling digital information systems. This
includes performances, immersive and hybrid (real/virtual) environments,
'play- and social software' applications, 'smart objects', intelligent and
ambient systems as well as interface and interaction design.

TRANSPOSITION
is open to works and projects emphasising acting and communicating within
technologically defined networks.

Applications, prototypes and concepts can be submitted that use or
specifically apply network architecture that functions independently of time
and place. This includes for example location-related and distributed
systems (LAN/WAN/WIFI etc.), mobile computing, UMTS and GPS applications,
infra-red and Bluetooth connections. The key feature in each case is an
unusual and/or experimental use of technologically defined network
topographies.

VIPER is looking forward to receiving exciting, ambitious and innovative
works and projects!

VIPER | International Competition 2005
PO Box
CH-4002 Basel
Switzerland
T: +41.61.283 27 00
F: +41.61.283 27 05
E: competition@viper.ch
W: http://competition2005.viper.ch/

KEEP IN TOUCH

KEEP IN TOUCH, a program of short films that will screen as part of the group effort "Positive Contact", a multimedia art experience running June 24-July 30th at Newspace Gallery, is now accepting submissions. Narrative, documentary, art, experimental, animated films and music videos that address the themes of estrangement, reunion, solitude and synergy and with a running time of less than 20 minutes are eligible. Entries accepted from California residents and students (currently enrolled) only.

Submission formats: DVD, PAL (NTSC), VHS
Screening Formats: Mini DV, VHS, DVD, 16mm

To download the submission form and requirements, please visit: http://www.newspacela.com/positivecontact.shtml

Submissions must be postmarked by June 30, 2005.

Send Film Entry to:
NEWSPACE
ATTN: Positive Contact/KEEP IN TOUCH
5241 Melrose Avenue
Los Angeles, CA 90038

Contact:
Felicia Dickerson
Tel: 323-934-4039
E-mail: keepintouch2005@earthlink.net
Website: http://www.newspacela.com/positivecontact.shtml

(((call for works/sound is art)))

www.phonurgia.org

Chisel, cut, mix, set in space∑Sound has the power of the cinema and is lighter

Among the prizes awarded for acoustic creation, the Phonurgia Nova competition has, since 1986, occupied a special place by virtue of its recognition of artists whose work exploits sound as a medium for expressing the real and the imaginary. In 2003, 150 productions from 19 different countries were entered in the prize.

This year's competition will distinguish authors whose work manifests a keen sense of sound and listening as means of expression, on two areas :

++RADIO ARTS will privilige all forms of inventive radiophonic creation: documentary,
fiction, essays, interviews, radio mix, Hörspiel, experimental forms etc.
++NEW MEDIAS awards will go to sound installations or sonic works which have been specially created for "new media" to bring new experiences in sound art to listeners - mobile phone, audioblog, site exploring the acoustic dimensions of the net.

In each category the jury will deliberate on two types of work :
1)completed productions
2)projects

(") Prizes
One Radio Arts prize and one New Media prize each of 1 500 euros and 3 artist's residencies at GRM-INA (Paris), IMEB (Bourges) and GMVL (Lyon), 3 major studios for electronic music and sound art, internationaly known. Ten works will be selected for presentation at the third Festival de l'Ecoute, Arles, 2006. Additional prizes could be given at this time. Certain works will be broadcast by the organisations and radio stations associated with the Festival.

(§) Deadline
The closing date for registration of entries: September 1, 2005. Results will be announced on Saturday, October 1, 2005, in Paris at la Maison du Geste et de l'Image.

(*) Sound archives
All the materials received will constitue a permanent archive of audio works. This archive will be opened to the public.

(!) More info and application form available on
www.phonurgia.org

(/)Questions
concours@phonurgia.org

UNIVERSAL HARVEST PROJECT:

Atlanta (USA) based artist Julie Püttgen seeks participants to contribute
food-related items from around the world- wrappers, tins, boxes, bags, etc-
featuring idealized images of food, eating, and farming. Please indicate
your name, as well as all items≠ source (locality and country) and
significance. If possible, include photographs of food markets where items
are found. For more information, email belette@turtlenosedsnake.com, or go
to: http//www.turtlenosedsnake.com/harvest.htm

DESIGNINART 5.0

[fringe] presents

DESIGNINART with

Victor Vina / Elisava Escola Superior Disseny
Tobi Schneidler / Interactive Institute Smart Studio
>
May 4th
Big Love Gallery
Tunnbindaregatan 21
16:00 - 18:00

quick links:
Victor Vina | www.dosislas.org
Tobi Schneidler | maoworks, www.tobi.net, smart studio

WELCOME!

]]> VICTOR VINA
Originally trained as an industrial designer, Victor holds an MA in Computer Related Design from the Royal College of Art in London. During summer 00 hecollaborated with Mediamatic, Amsterdam. From 01 to 03 he worked as a visiting researcher at Interaction Design Institute Ivrea, where he developed an open system to design personal networks. Victor recently directed a workshop with Roger Ibars at the Media and Interaction Unit of Ecole cantonale d'art de Lausanne. He is currently researching at Elisava Escola Superior de Disseny, Barcelona and curating a design exhibiton for Atlantic Center of Modern Art (CAAM) in Las Palmas. One of his latest projects, developed with Hector Serrano, is currently on show at The Lighthouse in Glasgow.

Discovery in Digital Craft
Through a selection of rambling projects and workshops developed at different schools and research institutions, Victor will discuss how an open approach to the creative process with digital media, and in particular the design of electronic objects, might lead to new and unexpected results. In particular he will analyse three of the constructs he uses more often when dealing with interactivity: automation, modularity and connectivity.

The discussion will also be centred on how the projects have been analyzed and interpreted from different perspectives in the continuum between art and design, and how these interpretations might enhance or diminish the meaning of the proposals.

1 knowledge and cognitive networks
2 networking physical space
3 design your own network
4 open networks in public space

http://www.dosislas.org/victor

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TOBI SCHNEIDLER
Tobi Schneidler is designing physical places that propose new tangible interaction between people, information and responsive space. Technology is a strong ingredient in all his work, but not an end in itself. Past projects include the RemoteHome, a trans-locational apartment in London and Berlin, the Avesta Works interactive museum experience in Sweden and the RefashionLab, an experimental fashion shop.

Tobi has recently established m.a.o.works , the office for mediating architecture and objects, to develop projects like the Vestigii Ticker Chair, for a Berlin based fashion brand. m.a.o.works has been working as a consultant with clients such as MVRDV architects (Rotterdam), Central Saint Martins Innovation centre (London),Arup Research and others.

In addition to commercial projects, m.a.o.works is involved in a number of experimental and research based missions. The office is also collaborating with groups like the Smart Studio Interactive Institute, as well as a range of independent artists, designers and engineers.

Tobi‚s work has been shown at venues such as the Science Museum London, Centre Pompidou and SF MOMA (collaboration). One interactive object, the Responsive Fields, has recently become part of Peter Weibel‚s Algorythmic Revolutions show at ZKM Karlsruhe. Upcoming shows will include the Victoria&Albert museum and the ICA (both London).

Tobi has also been teaching at the Royal College of Art London, KTH Stockholm and Central Saint Martins, as well as lecturing at numerous venues such as Princeton School of architecture, the Architectural Association London, Klein Dytham‚s Super Deluxe in Tokyo and the Universität der Künste Berlin.

www.maoworks.com
www.tobi.net
http://smart.tii.se

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DESIGNINART 4.0

[fringe] invites you to:

DESIGNINART with
Maja Kinnermark / HDK, Hogskolan for design och konsthantverk
>
April 27th
Big Love
16:00-18:00
>
Welcome!

DESIGNINART 3.0

[fringe] invites you to:

DESIGNINART with
Timo Arnall / Oslo School of Architecture / www.elasticspace.com
Andrew Morrison / Intermedia, University of Oslo / www.intermedia.uio.no

>
April 20th
Konsthogskolan Valand
16:00-18:00
>
Welcome!

]]> TIMO ARNALL
www.elasticspace.com

Timo Arnall is a designer and researcher working between London and Oslo. As lecturer and researcher at the Oslo School of Architecture & Design he teaches interaction design, physical computing, storytelling and design methodology.

ANDREW MORRISON
www.intermedia.uio.no

Andrew Morrison is based at InterMedia, University of Oslo where he works on a variety of projects on electronic arts, adaptive dgital design and the mediation of research online. He is currently working two book collections, one reporting on and analysing projects about digital multimmodal discourse and another more generally on Design Studies. Narrativity is one of his main enduring interests.

for more information contact margot.jacobs@tii.se
www.tii.se/reform
www.tii.se/reform/projects/pps/fringe.htm

JOB OPPORTUNITY IN FLORIDA

FLORIDA ATLANTIC UNIVERSITY, Department of Communication, is seeking an Instructor in New Media Production at its Davie campus, to teach courses in the Department≠Äôs BA in Multimedia Studies, which includes sequences in Film & Video Studies and Multimedia Journalism. The Department seeks a scholar of digital art and new media practice with expertise in new media as art and communication. Ideal candidates will cross media platforms and have experience in creating and analyzing multimedia texts. Candidates must be able to offer instruction in the integration of text, image and audio. Applicants should possess practical skills in more than one of the following media platforms: digital photography, computer-based imaging technologies, web and graphic design, and multimedia authoring. Applicants must also be proficient in Adobe Photoshop and Macromedia Studio, and have some experience in scripting. The position is a renewable nine-month, non-tenure track appointment beginn
!
ing August 2005. The teaching load is the equivalent of four courses per semester, and includes teaching introductory and advanced interactive multimedia courses, as well as managing the Department≠Äôs Proteus website and serving as a web design consultant for the College of Arts and Letters. MFA, MA, or equivalent professional experience required. All candidates must have an active production record. Application deadline: June 3, 2005. Send letter of application, cv, letters of recommendation, and samples of creative work to: Dr. Eric Freedman, Chair, New Media Search Committee, Department of Communication, Florida Atlantic University, 777 Glades Road, Boca Raton, FL 33431-0991. E-mail (for questions only): efreedma@fau.edu. For detailed information on FAU, visit our web sites at: http://www.fau.edu and http://proteus.fau.edu. Florida Atlantic University is an Equal Opportunity/Equal Access Institution.

SELF-PORTRAIT IN MIRROR-CD SELF-PORTRAIT IN MIRROR-CD SELF-PORTRAIT IN MIRROR-CD

Take that CD that you will throw to the garbage uses. Use it as a mirror and with an appropriate marker, or any other appropriate instrument, make your self-portrait on him. In this way, we recycle in an artistic way.

The received works will be exposed in a web-gallery that will be created. Documentation for all the participants.No return. Don't forget your postal data and e-mail.
Deadline : july, 31 year 2005

Suggestion. - the permanent markers works well for this.

To:
Miguel Jimenez - El Taller de Zenón
C/ Santa Maria de Guia
nº 1 . 4º C
ES-41008 Sevilla España

Call for Submissions for 'I Am / You Are'

Call for submissions for ‘I Am/You Are≠ artist book edition #108. Submissions may be two dimensional art or writing that responds to the statements on the front or back cover of the book (‘I Am≠ and/or ‘You Are≠). As the book is filled the line of distinction between ‘I Am≠ and ‘You Are≠ blurs. This is book #108 of #112 and is part of a larger collaborative project, simply titled ‘I Am /You Are≠, which will be exhibited on June 30th, 2005 in Chicago at the Foundation Gallery. The exhibition will travel with further venues yet to be announced.

Submission requirements:
A= 1-3 submissions (2-D, smaller than 8≈x10≈) for inclusion in book
B= Brief typed bio and city and country of residence

For more information on the gallery www.foundation-gallery.org

For more information on this project refer to www.you-are-beautiful.com

To submit contact Colleen Baran at ineedyoursecrets@yahoo.ca with the heading ≥I am / You are≈
Text or simple back and white submissions may be emailed with color or photographic work mailed to
Colleen Baran/ 15,872 98th Ave/ Surrey BC/ V4N 2V3 Canada

Deadline is June 5thth 2005 (but as space is limited early submissions will insure inclusion)