May 05, 2005

Performance Studies International #12 calls for proposals and ideas

CALL FOR PROPOSALS AND IDEAS.......
PERFORMANCE STUDIES INTERNATIONAL #12
Queen Mary, University of London, in collaboration with
East End Collaborations and the Live Art Development Agency (UK). 15-18 JUNE 2006PSi #12: PERFORMING RIGHTS
What can performance do for human rights, and human rights for performance?www.psi12.qmul.ac.uk
PSi #12: Performing Rights will be a gathering of artists, activists and academics who are making and researching performance that declares its interest and intent within the field of Human Rights. PSi #12 is being approached as a festival of creative dialogues investigating the boundaries and relationships between Human Rights and performance and will present an integrated schedule of conference and contextualising events.

Queen Mary, University of London, East End Collaborations and the Live Art Development Agency are seeking proposals for all aspects of PSi #12: Performing Rights.
Contextualising Events
PSi #12: Performing Rights will attempt to create a context for exploring the role of performance and the responsibilities of artists in effecting political, social and cultural change through a series of contextualising events including performances, interventions, new media presentations, installations, screenings, displays, artists led laboratories, spontaneous interactions and a library of research and resource materials.

PSi #12 Performing Rights are inviting proposals and recommendations from artists, activists, curators and commentators about performances, new media projects, publications, videos, websites, events, networks, organisations that are concerned with issues of Human Rights for all aspects of the contextualising programme. Proposals are welcome at any time from May 2005.

For more detailed information about the Call for Proposals for PSi #12: Performing Rights Contextualising Events:
email psi12@qmul.ac.uk or info@thisisLiveArt.co.uk
or visit
www.psi12.qmul.ac.uk or www.thisisLiveArt.co.uk
The Conference The PSi #12 conference will comprise plenary sessions, curated panels, papers and presentations, in which contributors will engage with the political, aesthetic and philosophical dimensions of the relationship between performance and human rights, on topics ranging from public and collective acts of insurrection to the intimacies and fragility of individual freedom and subjectivity.

PSi #12: Performing Rights are seeking paper, presentation and panel proposals for the conference. All submissions are due by 12 September 2005.

For more detailed information about the Call for Proposals for PSi #12: Performing Rights Conference:
email psi12@qmul.ac.uk
or visit
www.psi12.qmul.ac.uk

PSi #12: Performing Rights organisations:
Queen Mary, University of London, is a campus university in London's East End, only twenty minutes by tube from the city centre. Arts and Humanities research at Queen Mary is regarded as some of the very best in the UK. Drama at Queen Mary has a particular emphasis on live art, contemporary performance and theatre for social change. www.qmw.ac.uk

The Live Art Development Agency is the leading development organisation for Live Art in the UK and works in partnership with practitioners, venues and institutions on artist and programme initiatives; develops strategies for increasing popular and critical awareness; provides practical information and advice; and offers opportunities for dialogue, debate, research and training. www.thisisLiveArt.co.uk

East End Collaborations (EEC) responds to the professional development needs of graduates and emerging artists working with Live Art and based in London by offering information, advice and expertise and the opportunity to showcase work in an annual open submissions platform. East End Collaborations is collaboration between Queen between Queen Mary, University of London and the Live Art Development Agency.

Performance Studies International (PSi) is an international organisation founded in 1997 to promote communication and exchange among scholars and practitioners working in the field of performance. www.psi-web.org/
Live Art Development Agency
Rochelle School
Arnold Circus
London E2 7ES
United Kingdom
t: +44 (0)20 7033 0275
f: +44 (0)20 7033 0276
lois@thisisLiveArt.co.uk
daniel@thisisLiveArt.co.uk
hannah@thisisLiveArt.co.uk
info@thisisLiveArt.co.uk
www.thisisLiveArt.co.uk

Posted by mj at 03:29 PM | Comments (0)

VIPER INTERNATIONAL COMPETITION 2005

VIPER INTERNATIONAL FESTIVAL FOR FILM VIDEO AND NEW MEDIA
17 - 21 NOVEMBER 2005
-------------------------------------------------

PLEASE NOTE
Deadline: May 31, 2005 (date of the official postal stamp)
Due to the large amount of submissions the deadline will not be extended.
[Works and projects that are not ready by the closing date for entries can
be entered in the form of indicative documentation material or as a concept
description]
Awards: CHF 10.000 in each category & Swiss Award (CHF 10.000)
Acceptance decision: July 2005
Master Setting due: October 1, 2005
Festival dates: November 17 - 21, 2005

SUBMISSION GUIDELINES
Entry is free of charge.
Regulations, registration form, and further information:
http://competition2005.viper.ch/
Participants are asked to:
1_fill out the online-registration
2_send a signed print-out of the online registration form along with the
entry material.


-------------------------------------------------
VIPER is one of the major European film, video and new media festivals. It
offers a highly-regarded platform for presenting innovative works and
projects attracting Swiss and international filmmakers and producers,
artists, curators, critics and purveyors of ideas from the media, research
and politics. In addition VIPER's International Forum provides an up-to-date
podium for presenting and discussing forward-looking positions, models and
scenarios - a Think-and-Do-Tank for 21st century media, culture and society.

-------------------------------------------------
VIPER INTERNATIONAL COMPETITION 2005
The Call for the renowned VIPER International Competition has been launched
with revised categories since 2003, considering the entire spectrum of
expression forms of the digital formats. At the same time a unique forum for
more and more extensive cross-media and innovative projects has been
established going beyond established generic boundaries.

A renowned international jury selects from the submissions the winners of
the awards in each category. Irrespective of the category the best Swiss
work will receive the SWISS AWARD.
Selected works and projects will be presented during the festival.

---------------
CATEGORIES
----------------

IMAGINATION
is open to works and projects dealing with traditional and future forms of
the moving image.

Possible submissions include analogue and digital films/videos, experimental
films (including sound/video), 2D and 3D animations, extended forms of
traditional cinema, linear and non-linear narrative image sequences, mobile
and innovative screen formats, split- and/or multiple-screen arrangements.
They may be complemented by modes of individual and collective interaction
if wished.

PROCESSING
is open to works and projects that are characterised by processes and live
elements.

Installations or systems can be submitted that are devised to involve a
local situation and/or an audience actively, thus emphasising the ability to
interact and improvise when handling digital information systems. This
includes performances, immersive and hybrid (real/virtual) environments,
'play- and social software' applications, 'smart objects', intelligent and
ambient systems as well as interface and interaction design.

TRANSPOSITION
is open to works and projects emphasising acting and communicating within
technologically defined networks.

Applications, prototypes and concepts can be submitted that use or
specifically apply network architecture that functions independently of time
and place. This includes for example location-related and distributed
systems (LAN/WAN/WIFI etc.), mobile computing, UMTS and GPS applications,
infra-red and Bluetooth connections. The key feature in each case is an
unusual and/or experimental use of technologically defined network
topographies.

VIPER is looking forward to receiving exciting, ambitious and innovative
works and projects!

VIPER | International Competition 2005
PO Box
CH-4002 Basel
Switzerland
T: +41.61.283 27 00
F: +41.61.283 27 05
E: competition@viper.ch
W: http://competition2005.viper.ch/


Posted by mj at 03:27 PM | Comments (0)

KEEP IN TOUCH

KEEP IN TOUCH, a program of short films that will screen as part of the group effort "Positive Contact", a multimedia art experience running June 24-July 30th at Newspace Gallery, is now accepting submissions. Narrative, documentary, art, experimental, animated films and music videos that address the themes of estrangement, reunion, solitude and synergy and with a running time of less than 20 minutes are eligible. Entries accepted from California residents and students (currently enrolled) only. 

Submission formats: DVD, PAL (NTSC), VHS
Screening Formats: Mini DV, VHS, DVD, 16mm

To download the submission form and requirements, please visit: http://www.newspacela.com/positivecontact.shtml

Submissions must be postmarked by June 30, 2005.


Send Film Entry to:
NEWSPACE
ATTN: Positive Contact/KEEP IN TOUCH
5241 Melrose Avenue
Los Angeles, CA 90038

Contact:
Felicia Dickerson
Tel: 323-934-4039
E-mail: keepintouch2005@earthlink.net
Website: http://www.newspacela.com/positivecontact.shtml

Posted by mj at 03:26 PM | Comments (0)

May 03, 2005

(((call for works/sound is art)))

www.phonurgia.org

Chisel, cut, mix, set in space∑Sound has the power of the cinema and is lighter

Among the prizes awarded for acoustic creation, the Phonurgia Nova competition has, since 1986, occupied a special place by virtue of its recognition of artists whose work exploits sound as a medium for expressing the real and the imaginary. In 2003, 150 productions from 19 different countries were entered in the prize.

This year's competition will distinguish authors whose work manifests a keen sense of sound and listening as means of expression, on two areas :

++RADIO ARTS will privilige all forms of inventive radiophonic creation: documentary,
fiction, essays, interviews, radio mix, Hörspiel, experimental forms etc.
++NEW MEDIAS awards will go to sound installations or sonic works which have been specially created for "new media" to bring new experiences in sound art to listeners - mobile phone, audioblog, site exploring the acoustic dimensions of the net.

In each category the jury will deliberate on two types of work :
1)completed productions
2)projects

(") Prizes
One Radio Arts prize and one New Media prize each of 1 500 euros and 3 artist's residencies at GRM-INA (Paris), IMEB (Bourges) and GMVL (Lyon), 3 major studios for electronic music and sound art, internationaly known. Ten works will be selected for presentation at the third Festival de l'Ecoute, Arles, 2006. Additional prizes could be given at this time. Certain works will be broadcast by the organisations and radio stations associated with the Festival.

(§) Deadline
The closing date for registration of entries: September 1, 2005. Results will be announced on Saturday, October 1, 2005, in Paris at la Maison du Geste et de l'Image.

(*) Sound archives
All the materials received will constitue a permanent archive of audio works. This archive will be opened to the public.

(!) More info and application form available on
www.phonurgia.org

(/)Questions
concours@phonurgia.org

Posted by mj at 03:36 PM | Comments (0)

UNIVERSAL HARVEST PROJECT:

Atlanta (USA) based artist Julie Püttgen seeks participants to contribute
food-related items from around the world- wrappers, tins, boxes, bags, etc-
featuring idealized images of food, eating, and farming. Please indicate
your name, as well as all items≠ source (locality and country) and
significance. If possible, include photographs of food markets where items
are found. For more information, email belette@turtlenosedsnake.com, or go
to: http//www.turtlenosedsnake.com/harvest.htm

Posted by mj at 03:35 PM | Comments (0)

April 10, 2005

JOB OPPORTUNITY IN FLORIDA

FLORIDA ATLANTIC UNIVERSITY, Department of Communication, is seeking an Instructor in New Media Production at its Davie campus, to teach courses in the Department≠Äôs BA in Multimedia Studies, which includes sequences in Film & Video Studies and Multimedia Journalism. The Department seeks a scholar of digital art and new media practice with expertise in new media as art and communication. Ideal candidates will cross media platforms and have experience in creating and analyzing multimedia texts. Candidates must be able to offer instruction in the integration of text, image and audio. Applicants should possess practical skills in more than one of the following media platforms: digital photography, computer-based imaging technologies, web and graphic design, and multimedia authoring. Applicants must also be proficient in Adobe Photoshop and Macromedia Studio, and have some experience in scripting. The position is a renewable nine-month, non-tenure track appointment beginn
!
ing August 2005. The teaching load is the equivalent of four courses per semester, and includes teaching introductory and advanced interactive multimedia courses, as well as managing the Department≠Äôs Proteus website and serving as a web design consultant for the College of Arts and Letters. MFA, MA, or equivalent professional experience required. All candidates must have an active production record. Application deadline: June 3, 2005. Send letter of application, cv, letters of recommendation, and samples of creative work to: Dr. Eric Freedman, Chair, New Media Search Committee, Department of Communication, Florida Atlantic University, 777 Glades Road, Boca Raton, FL 33431-0991. E-mail (for questions only): efreedma@fau.edu. For detailed information on FAU, visit our web sites at: http://www.fau.edu and http://proteus.fau.edu. Florida Atlantic University is an Equal Opportunity/Equal Access Institution.

Posted by mj at 03:03 PM | Comments (0)

SELF-PORTRAIT IN MIRROR-CD   SELF-PORTRAIT IN MIRROR-CD   SELF-PORTRAIT IN MIRROR-CD

Take that CD that you will throw to the garbage uses.  Use it as a mirror and with an appropriate marker, or any other appropriate instrument, make your self-portrait on him.  In this way, we recycle in an artistic way.  

The received works will be exposed in a web-gallery that will be created.  Documentation for all the participants.No return. Don't forget your postal data and e-mail.
Deadline :  july, 31  year 2005  

Suggestion. - the permanent markers works well for this.

To:
Miguel Jimenez - El Taller de Zenón  
C/ Santa Maria de Guia  
nº 1 . 4º C  
ES-41008  Sevilla  España

Posted by mj at 03:00 PM | Comments (0)

Call for Submissions for 'I Am / You Are'

Call for submissions for ‘I Am/You Are≠ artist book edition #108. Submissions may be two dimensional art or writing that responds to the statements on the front or back cover of the book (‘I Am≠ and/or ‘You Are≠). As the book is filled the line of distinction between ‘I Am≠ and ‘You Are≠ blurs. This is book #108 of #112 and is part of a larger collaborative project, simply titled ‘I Am /You Are≠, which will be exhibited on June 30th, 2005 in Chicago at the Foundation Gallery. The exhibition will travel with further venues yet to be announced.

Submission requirements:
A= 1-3 submissions (2-D, smaller than 8≈x10≈) for inclusion in book
B= Brief typed bio and city and country of residence

For more information on the gallery www.foundation-gallery.org

For more information on this project refer to www.you-are-beautiful.com

To submit contact Colleen Baran at ineedyoursecrets@yahoo.ca with the heading ≥I am / You are≈
Text or simple back and white submissions may be emailed with color or photographic work mailed to
Colleen Baran/ 15,872 98th Ave/ Surrey BC/ V4N 2V3 Canada

Deadline is June 5thth 2005 (but as space is limited early submissions will insure inclusion)

Posted by mj at 03:00 PM | Comments (0)

Scholarships in International MFA

Scholarships in International MFA Program to Promote Independent Thinking and Innovative Art Work

Transart Institute announced today that through a generous grant from Foundation M and other sources 15 scholarships amounting to $37,500 have become available to students of their low-residency Master of Fine Arts program and non-degree summer workshops.

Transart Institute's low-residency MFA in New Media program - the first of its kind anywhere - offers an opportunity for working professionals to further their career with self-directed artistic study supported by self-chosen artist mentors and Transart Institute faculty and intensive summer residencies including lectures, seminars, workshops, critiques, exhibitions and performances. The unique transdisciplinary program creates the possibility of interaction and cooperation between performance and video artists, programmers, sculptors, vjs, curators, painters and game designers etc. Genres include: animation, architecture, cyberart, film, video, graphic design, installation, interactive art, interdisciplinary art, performance art, photography, and sound/music. The summer workshops which are an integral part of the MFA program are open to the public by application.

Eight scholarships of $2,500 will go to accepted students of merit and financial need and two scholarships of $5,000 are available to candidates from East European and new EU-member countries. Five full scholarships of $750 will be given to participants of the Transart Institute's non-degree summer workshops which are open to all. Recipients will be selected on the basis of creative potential as exemplified by portfolio.

Scholarship application deadline for the academic year 2005/06 is May 31st, 2005.
Further information is available at the Transart Institute's website: www.transartinstitute.org

Posted by mj at 02:54 PM | Comments (0)

April 03, 2005

"Early Adopters"

OPEN CALL (http://adelheidmers.org/3arts/opencall.htm)

Exhibition working title: "Early Adopters"


location: The Three Arts Club, Chicago, USA
dates: doors open September 15, 2005   
reception: October 6, 2005 
closing (with potential reception): October 27, 2005

1. Call for essays and other text contributions we can post, and other web based contributions we can link to, from artists and theorists who reside in cities worldwide, to contribute "reports on art audiences" from their locations.

2. We are also seeking laminated "poster presentations" from local artists or from others who don't mind to mail them to Chicago, 24"x18" (appr. 60cm x 45cm) to be displayed on long shelves along two gallery walls, for viewers to handle and/or for contributors who can be present at the gallery to talk about.

Project Description: For this exhibition during "Chicago Artist Month 2005", artists are asked to look back at their viewers. They are asked to show how they envision their local lay, amateur or connoisseur community to make use of and support them, to assess the immediate field they need to communicate within. Specifically, I am asking to investigate how citizens support or are desired to support visual art: as viewer, collector, sponsor, discussant, newspaper reader, volunteer, board member, co-creator,etc. I am envisioning work that deals with these subjects explicitly, for an exhibition that will have aspects of a symposium or lecture series, addressing (supporting, defying, expanding) the thesis that urbanites are more diverse, adventurous, daring and playful than their more conservative, rural, small town, suburban or exurban counterparts, but also need to be made more aware of the crucial role they play in sustaining the art community whose products and productions t
hey enjoy. This question is primarily inspired by the urban/rural split in the US election maps. For examples, see: http://www-personal.umich.edu/~mejn/election/
Would there be similar distributions in art audience maps?

In addition to the call for national and international reports and for posters, three artists who use diagramming as part of their current strategies have been invited to create more extensive works. I will contribute a map of the concept of this show, and four administrators/theorists have been invited to consider talks, discussions or lectures. This is a project by Adelheid Mers, on the invitation of gallery director Annie Morse.

Please contact me by email if you are interested in contributing, or can put me in touch with additional "correspondents" from other cities.

We are currently planning to report on this show at a symposium on artistic inquiry in Canada, in November.

I have set up a message board to help prepare for the show at http://adelheidmers.org/3/

very best regards, 
Adelheid

adelheidmers@earthlink.net 
http://adelheidmers.org

Posted by mj at 03:33 PM | Comments (0)

February 11, 2005

Call for Attack of the PANTs Workshop

A DIY electronics workshop led by Lalya Gaye, Tobias "Speaker Dude" Good, and David McCallum, to make Portable Art Noise Things (PANTs). the PANTs are a contact mic connected to a self-powered speaker, allowing you to carry them anywhere and amplify the most annoying of small sounds for the benefit of the public. The speakers are made out of you favourite lunch box, cardboard boxes or whatever you would like to use.

Date: Sunday, February 20th
Cost: 100 kr (this is purely for materials)
Location: Big Love gallery, Tunnbindaregatan 21 (Kvilletorget)

No previous electronics experience required, we'll show you how to do it all!

hugs vampires.jpg

The motivation behind this workshop is to create devices that can be
used in the HUGs jams that happen at big love every now and again.
Picture the gallery full of ten of these little monsters, it almost
makes me salivate just thinking about it...

The deadline for applying is Tuesday, February 15th. E-mail david mcdallum at d@mentalfloss.ca to express your unshakable commitment to our cause. No need to give us the money early, bring it to the workshop. Please do not cancel after the deadline as we will already have spent the 100 kr you said you would pay and will thus be 100 kr poorer, and we don't like poverty (ie. if you cancel, we are expecting you to still pay).

Posted by Sue at 11:59 PM | Comments (1)

October 24, 2004

Call for Fringe Short Film Festival Submissions

On November 3rd, [fringe] will have a viewing night presenting short films and video made both in and outside Sweden.

Eligibility
Any video or film project that is shorter than 5 minutes is eligible.
[fringe] is not responsible for damage or loss of any entry. Submission of an entry acknowledges the right of [fringe] to use it for exhibition and publication.

Criteria
Entries may be submitted in the following formats: Web site URL,
Macintosh-or PC-based CD-ROMS, ZIP cartridges or DVD-ROMs. Please include: your name, email address, mailing address, a short 50-100 word bio, entry title, running time, and year of production. Note that the piece must be no longer than five minutes in duration. Deadline for submissions is October 27th.

Please send works to:
Margot Jacobs
c/o PLAY Interactive Institute
Hugo Grauers Gata 3b
41296 Gothenburg Sweden
or email to:
Sue Huang {sue@knfeandfork.org}

Posted by Sue at 12:53 AM | Comments (0)